Menacing Males, Medusa and Malevolent Spirits

Neil and I spoke with emerging Australian sound designer Andrew Dean about his work, in particular the award-winning films ‘Mud Crab’ (written and directed by David Robinson-Smith), ‘Gorgo’ (directed by Veniamin Gialouris) and the forthcoming feature film ‘Salt Along the Tongue’, (directed by Parish Malfitano), that Andrew sound designed and mixed.

Be sure to go to the link for Mud Crab here and watch the short film. It’s a very challenging film about toxic masculinity and bullying but the sound design and production of the film is especially impressive (and the main character gained and lost 30kilos [66lbs] to play the role!).

We’ve got some really great industry interviews coming up as we get ready to launch the podcast properly soon.

It's time to start listening—podcast with Julian Treasure

Neil and I published episode three of our podcast this morning (still running an entirely swear-free streak); it’s a wide-ranging interview with Julian Treasure about the nature of noise in our world and how listening changes the character of our interaction with others. This is a much more general audience episode than our first two film industry specific ones and is well worth a listen and share with others. You can play above or subscribe to the podcast on most distribution platforms. We are lining up some great interviews for the coming months so watch this space.

Our Second (entirely free of swearing) podcast

We’ve just released our second episode of the Apple and Biscuit Show. This is a quite revealing discussion with well respected Australian business leader, Philip Belcher. The connection with film sound is that he was the CEO of the famous Australian audio company, Fairlight when it was sold to (the other famous Australian company) Blackmagic Design. It’s an interesting behind the scenes look at how decisions are made about these things and what kinds of considerations a small company with a big legacy has to make to successfully thrive.

Our first (rather sweary) podcast

For several years I’ve been mentored in my audio work by Dr Neil Hillman. Over these past months since I’ve been made redundant, Neil has acted as my business coach and we’ve begun working on projects together. One of these is a podcast on the use of sound in motion picture and television production. Neal has decades of experience in the industry and a Rolodex full of contacts to draw from. We’ve had many thoughtful discussions ourselves over Zoom so I suggested we basically start recording these and invite others to join in the conversation.

We’ve published our first episode and have recorded our second one just today with a number of others in the works. I’ve produced podcasts for nearly a decade and Neil has hundreds of film credits to his name but this is new territory for both of us to be ‘on mic’ as the hosts of a show (so we’ll probably need some time to get into the groove).

You can have a listen to the first episode in the embedded player above; we are in the process of publishing it on all the main podcast apps as well so you’ll soon be able to subscribe for future episodes (it’s on Spotify already if you click on the ‘follow’ button in the player). This episode is with two filmmakers discussing how they made a feature length film on a shoestring budget and the difficulties they had with sound production on location and in post-production.

Just a warning though it’s got—quite a lot of swearing (not from Neil or myself) but it’s a candid conversation. Episode two is sans swears if you want to hold off for that one next week sometime. (We are aiming to release two episodes a month but want to get a few out here at the beginning to prime the pump.)

Those People

I’ve had various versions of this post in draft for months; it’s not that I have nothing to consider or say on what’s happening in Gaza, it’s just that anything I’ve written seems so insufficient in scope and understanding. Equally, I feel my words are just a whisper in the wind especially when so many are speaking forcefully against the war to apparently little effect. However, I had a conversation with a friend yesterday about the nature of evil in the world; it’s so commonplace now and those who commit even the most egregious crimes face few consequences (or are promoted and lauded instead). I have to say something. It may not alter one bit of what’s going on elsewhere; but, if for nothing else, it’s for my own spirit and the few people who read this who might take a moment more to consider.

What is actually happening in Israel and Palestine? Unrest, conflict, struggle, upheaval, war? All these terms have been used for the situation over the past decades. All have subtle shades of intensity and meaning that communicate different things to different people. The same scripted language is used each time there is an intensification and all these terms are used interchangeably as it seems we’ve run out of descriptors to talk about what’s happening. The weight of words like colonisation, occupation, terrorist, invasion and especially right now genocide are slowly eroded away from overuse to the point where horrible things are happening in plain sight of all with seemingly little reaction or import to those of us watching. The attack by Hamas on Israel was not just another incursion and Israel’s invasion of Palestine is not just another response; the observations we make can’t readily reference what’s happened in the past. This is all at a new level of intensity and, potentially, has far greater ramifications outside the region itself.

Our daughter was born the day that Russia invaded Ukraine and though I was obviously occupied with her birth and care in those days following, I was equally concerned with Ukraine and avidly following the news about what was happening. What’s more, I spoke about it with my wife, Rosie and was open about my concerns. However, though I’ve followed the news out of Israel and Palestine in these past months, I’ve not discussed it as freely. Rosie has asked me why this is and challenged me to consider my own preconceptions and response (this touches on her directly as she is Lebanese). I have to check my ego at the door on all this as well; I’m coming from a position of privilege where I can, at arms length, voice some opinion without much fallout. It’s fairly safe for me to say something along the lines of “what Hamas has done is so bad…Israel’s response is bad; people are suffering all round. Let’s all just think about it.” Equally, I can just say that I’m not qualified to speak on it and cop out from the whole discussion. I think though there is a third action that is perhaps, personally, a harder path where, instead of offering up some opinion or just reflexively reacting to what I’m seeing on social media, I try to actually understand the history and reasons behind the situation as it is. I think the more difficult path for me at least is to begin a journey to understand the perspectives involved so I can be in a position to better inform and challenge people beyond the superficial responses they may have to all this.

As I unravel what my thoughts are, I’m aware I’m in a situation where I have the luxury of doing so. People are literally dying as we sit and ponder, while politicians justify and dither, while aid agencies run out of supplies and have to evacuate. Israel is, to my understanding from what seems apparent, responding to a terrible attack on their people with a far deadlier disproportinate invasion of Gaza. (An invasion that has lead to the deaths of many thousands of innocent Palestinian people and I would think ultimately backfire by inciting yet more violence. It’s this kind of thing that, for both sides, turns over another generational cycle of fear, hatred and violence.)

The first thing I want to say is that nothing I’m considering in any way justifies the actions of Hamas some months ago. This seems to be the immediate shutdown of any criticism of Israel’s response; that if one speaks anything ill of Israel, it’s supporting terrorism or that one is somehow antisemitic. It’s just not; sorry, that’s not even a line of argument I would pursue. There are obviously people in Israel that don’t agree that the solution is ‘wipe Gaza off the map.’ It’s idiocy, for those of us away from all this, to think we can’t have other options and have to support some kind of black and white solution when it’s an ongoing debate within the people directly involved. Are Israelis voicing a dissenting opinion themselves antisemitic? Hamas, the organisation, is using the situation of oppression to their own advantage with the flimsy facade of Jihad out in front of them. However, the situation is so much more complex than ‘sides’ or even two clearly opposing forces (which it keeps getting boiled down to in the media and online). People who understand this far more than me would have to chart out all the parties in the region and world who have some hand in the economies, religion, arms and resources pulling in different directions. It’s like a chessboard with all the squares filled with pieces and no room to move. It’s also like a chessboard in the sense that people are getting categorised into white and black pieces. Life isn’t a grid of squares and two opposing teams.

Also, as I said at the start, the expression of evil should have consequences. I’m not saying there should be no account for the incursion Hamas made into Israel that caused the deaths of so many there. I would say though that, in its response, Israel has managed to push that incident so far into the background that it’s unlikely any resolution of it will come other than the whole of Gaza indiscriminately covered in blood. Where there could have been a call to the international bodies who are supposed to resolve these matters collectively (anaemic as their response often is), Israel has actively undermined them and placed themselves squarely in the sights of the International Criminal Court facing the charge of war crimes. I would imagine that whomever planned this within Hamas, if they are even still alive, could not be more satisfied with the result. They knew full well they would not somehow manage to invade or occupy Israel and what the response would be; they were completely satisfied to sacrifice the lives of however many thousands of Palestinian children in the aftermath.

In the middle of all this are just ‘normal people’ literally caught in the crossfire; That’s where we, as ‘normal people,’ have to focus our thoughts. I think one of the things I was blocked on in all this and why I wasn’t talking much about it was that ‘I’m just a normal person.’ I’m not a high level politician or someone who can make decisions to change the situation. People in power (especially people who encourage conflict to remain in power) rely on the fact that, once a major conflict begins, there is little normal people can do to alter the situation. The machine of war, once the gears start turning, is difficult to stop. So normal people fall silent in the background amid all the noise, either by not speaking up from a distance or tragically they are silenced under the weight of broken buildings falling down upon them and their families.

Also, especially in the Middle East, we are so conditioned to respond with ‘well there those people go again.’ It’s normalised; it’s those people. That’s deeply ingrained in my psyche; though at least I’d like to think that I’m aware of it. I’ve had extensive cross cultural training, have led trips abroad, I was even involved with a youth exchange that brought Palestinian kids to the EU. Yet, frankly, I think I was shocked when Russia invaded Ukraine because somewhere inside there was something amiss when this was happening to…white people. Wait, it’s not those people, this is in Europe! This is something that I know is happening in me; it’s conditioned and something that, as a person of privilege, I need to constantly assess (something also for a future post).

I’m just a normal person; I don’t have broad influence in the world. However, if you are reading this, I have some connection to you either personally or through the whims of the internet you’ve come here. Please consider what you, as a fellow human being, must face when you read the news today. Truly, there probably isn’t much you can overtly do to change things. But you can, by some small degree, each day make decisions that collectively push things in a direction where we are not separated as us and those people. There is a conversation at dinner with family where you can either choose to overlook the comment an uncle makes about Arabs (or ‘the Jews’ for that matter) that you could challenge and use as an opportunity to unify rather than further divide.

Some years ago, the day before the exchange I mentioned above began, I wrote this while sitting in a plaza in Antwerp.

Antwerp is a place where, in the heat of European wars between Catholics and Protestants, icons and people alike were burned for what they stood for. Massive churches and cathedrals stand beside each other in peace now; the conflicts of long ago remembered now only in pub names and the engravings on grey statues. Can we somehow look forward to such a future after our current conflicts? Last night, outside the church pictured above, a man juggled knives. That seems to be the history of God in the hands of man; it’s an impressive feat to put all those blades in the air, but make one slip and the wound can be fatal.

Knives are falling all about on the guilty and innocent right now; we don’t need more martyr’s blood to end this. We need better ideas and less fuel to the fire that will just burn civilisation to the ground if we let it keep smouldering underneath. Unfortunately, as happens over and again, conflict comes down to who has the biggest guns or who can kill the most people—who can cause the most terror or who can rule with the power of fear. Carl Jung had a theory about individuals transforming into their own opposite which I think also applies to nations. It was based on an ancient theory called Enantiodromia which states that when something swings to an extreme, like a pendulum, it tends to hurl back to the opposite. This, I think, is amplified by the addition of power, weapons money and fear and all it takes is a little push to send the weight crashing into the most delicate and vulnerable between the two extremes of the arc.

Reset

I’ve recently been (quite agreeably) made redundant so I’m taking a moment to reset and revise. I’m at what I think is a good pivot point in my personal and professional life where I have the resources and skills to make changes and head in a new direction. Over the past several years, I’ve been mentored by Dr Neil Hillman who I’m starting to work with more closely. I’ve registered my own domain which you can check out here (basically just a calling card site at the moment).

Exploring a different direction

Over the past few weeks, since picking up a secondhand UDO Super 6 synthesiser, I’ve been exploring the subtle world of drone composition. Drones form the basis of a lot of music (and have for thousands of years) but it’s not common to present just the drone itself as a freestanding piece. I’ve been reading about the concept and have just ordered a book on the work of Eliane Radigue, the acknowledged contemporary master of drone composition. She’s now in her 90’s but still composing for the genre. Meanwhile, I’ve made a playlist where I will post what I’m working on. (Note this is quite subtle sound work; best listened to in a quiet environment with headphones or speakers with a good lower bass response.)

Electric études

I’ve created a playlist of short sound design studies; I’m making them alongside the course I’m doing in electronic music at Liveschool in Sydney. They will be mostly from a Waldorf Iridium synth. I’m experimenting with playing all this out live via the internal sequencer of the Iridium controlled with an AtoVproject 16n MIDI controller. This is a surprisingly versatile way to make semi-sequenced music whilst also changing parameters on the fly. A couple of these so far were just directly recorded into a CEntrance MixerFace but will mainly use Ableton as a FX processor and recorder (with the thought of recording a lot and then performing the editing and mixing in Ableton). Just experimenting now but more to come.